Dynaudio Evoke 50 5.1 Home Theater System.
The system includes Dynaudio' Evoke fifty floorstanders, the Evoke 25C centre speaker, 2 Evoke ten shelf speakers and also the sealed-box Sub 6. Despite being on the massive side, its clean, minimalist style lets the cupboards sit well in most rooms. From the gently curvilinear front corners and tapered trapezoid form of the MDF cabinets to the contrastive matt black ‘screwless’ drivers and unflawed glassy lacquer, each tiny detail helps the Evoke system showing neatness take its place.Dynaudio Evoke 50 5.1 review.
Dynaudio has perpetually been a corporation crystal rectifier by engineering. The simplicity of its speakers doesn’t exist trendy Scandinavian aestheticism, instead, the company, that straddles each professional audio and domestic hi-fi products, is way more involved with what' occurring within the box than flashy style on the outside.
The Evoke vary was 1st discharged in 2018 and includes 5 completely different speakers with 2 choices every for floor standers and shelf speakers additionally jointly centre speaker to be used during a home cinema configuration. In addition, Dynaudio offers a alternative of two subwoofers designed to enrich all of its theatre speaker systems.
The Evoke fifty 5.1 package is priced at £8249 ($7196, AU$16,700), that places it around halfway up Dynaudio’s range, however it’s truthful to mention that the Danish whole contains a little bit of a ‘pay it forward’ approach to the high-end tech, which isn’t reserved only for its flagship products. As a result, Evoke edges from several key developments in driver style 1st employed in its pricier predecessors, cascaded across its entire range.
Compatibility.
Beginning at the highest end, the Evoke 50 options Dynaudio’s ‘Cerotar’ loudspeaker system, that uses style components found in the brand’s higher-end ranges. These drivers contain a ‘Hexis’ inner dome positioned below the 28mm soft-dome diaphragm to manage the sound returning off the rear of the tweeter dome for a a lot of even frequency response. This inner dome then works in conjunction with an oversized rear chamber to manage the back-pressure on the rear of the loudspeaker system diaphragm, sanctionative increased frequency vary extension.
Once unboxing the floor standers, the tweeters are coated with puck-shaped covers that clip on to safeguard those fragile soft domes. Keep these handy, as you’ll would like them if you choose to re-box the speakers again.
Whereas all the models within the range build use of the Cerotar tweeter, the Evoke fifty is that the only 1 during this 5.1 package to own a frenzied midrange driver. mensuration 15cm in diameter, the diaphragm is built from one piece of ultra-thin Mg salt compound (MSP), a fabric the corporate has employed in its drivers for decades.
The low finish is taken care of by 2 long-throw 18cm woofers, with giant 56mm copper voice-coils for economical power handling, we have a tendency toll|also|additionally|further|furthermore|in addition|likewise|moreover|similarly|still|yet} as a considerable bass reflex port. this could be part or absolutely closed victimization the enclosed foam bungs to scale back low-end stress in tiny spaces, except for our testing, we leave them out.
Upfront is that the Evoke 25C centre speaker, priced £1100 ($1199, AU$2299). On either aspect of its Cerotar speaker system sit 14cm MSP-coned units. These units are connected during a 2.5-way configuration, wherever one in every of the massiver drivers generates everything from the midrange down going away the second unit to reinforce simply the lows. Taking care of the surround duties could also be a strive of Evoke 10 shelf speakers, the baby of the series, accountancy £1250 ($1599, AU$2599) per pair. These use constant speaker unit and speaker as a result of the centre channel, now with a 2-way crossover (and just one giant driver). Build.
Despite the eminent size of the floorstanding speakers and also the centre channel’s not insignificant footprint, the complete package advantages from a clean, minimalist style which will sit well in most rooms. advertizingThere are four finishes; black or white high gloss and Walnut or Blonde Wood veneers. each detail, from the gently curved front corners and tapered trapezoid form of the MDF cupboards to the different matt black ‘screwless’ drivers and unflawed glassy lacquer, helps the Evoke system showing neatness take its place. The .1 during this 5.1 package is Dynaudio’s more premium subwoofer, the sealed-box Sub 6. Unusually, this style has twin 23cm opposing drivers; an appointment that minimises any vibration generated by the movement of the cones, one thing that ought to facilitate those with sensitive neighbours. On the rear face of the sub, there are a combine of balanced and unbalanced inputs in addition as reflected outputs for daisy-chaining. There’s also alittle alphanumeric display screen and one knob for navigating level changes and settings for speaker matching, power saving, low pass filter, section and distance from the most left/right channels. whereas useful, this system feels rather clumsy in use. With a nominal load of four ohms, the front 3 speakers seem to be a exacting prospect for many amplifiers, however Dynaudio engineers the electrical resistance curves of its speakers to be a lot of forgiving than the verbal description suggests. we have a tendency to expect most price-compatible Av receivers to be comfy with this Evoke package. Sound.
We play the gap scenes of The Social Network, that proves a solid physical exercise for the centre channel, and we tend to’re affected with the clarity and projection of Aaron Sorkin’s rapid-fire dialogue. It’s rare to be able to hear each single linguistic unit during this scene, particularly those muttered in Zuckerberg’s nasal deadpan, however we don’t struggle to follow the exchange at all. packaging when the action moves to narrated montage, with Trent Reznor’s bouncy electronic score filling out the remainder of the soundfield, the Evoke 10s have a superb vary and sound property for a surround speaker Associate in Nursingd a solid grip on the lower-mid synth notes while not detracting an excessive amount of from the most image. we tend to move onto Baby Driver, with its uptempo score giving the floorstanders an opportunity to shine, and that they don’t disappoint. There’s liquidness within the midrange associate degreed an ease therewith it hands over to the tweeter, whereas the speedy rhythm of Bellbottoms is as cleanly rendered within the high-frequency cymbals because it is in the astonishingly nimble low end. the mixing between the Sub half-dozen and therefore the Evoke 50s, with their punchy bass, is effective, significantly on the leading edge of the gutsy sounds of the automobile engine that syncopates with the music. As we reach the Harlem Shuffle section, sonic variations between the floorstanders and therefore the centre channel become additional apparent. The scene consists of one pursuit shot with the close sounds of passers-by drifting in and out of central focus, and that we feel more responsive to the shift into a fuller vary sound as Baby pushes every pedestrian to the side. With such a distinction in cupboard size, however, this can be to be expected, and not serious enough to prove distracting. Next, we tend to strive the Germania battle in Gladiator and as Russell Crow unleashes hell, the rain of arrows that descends zips across from speaker to speaker nearly seamlessly, that may be a checkament to the consistency in registration across the package. Similarly, within the initial Colosseum fight, because the Carthaginian gladiator spins his mace, the 360-degree swirl wraps uniformly round the auditor while not the necessity to be positioned centrally. Overall, we discover that the Evoke package adds an additional level of pleasure to the customarily fatal transients during this film. For a final test of dynamics, we play the Kurt Cobain documentary, icon Of Heck, and are happy to seek out that the system remains consistent even once pushed to the extremes. throughout the footage of Molly’s Lips, the din of the group and Cobain’s distorted stringed instrument winding into feedback feels overwhelming, because it should, however doesn’t become unbearably harsh. Through sudden shifts in level, from competition stages to a verbalizer interview back to trippy psychedelic sound design, the system maintains its tenacious character and detail across the board. Verdict This Evoke fifty 5.1 package has been fastidiously developed to deliver consistent readjustment across the channels, and on the whole, it succeeds, making a well-balanced sound field. Rhythmically taut across the frequency spectrum with a standout agile, low end, the package is each careful and robust, offensive action, music and dialogue with dynamic urgency. If you’re wanting to recreate a correct cinema feel in your home, this Dynaudio package may be a great spot to start.
SPECIFICATIONS
Dimensions (hwd) 116 x 30.5 x 37cm
Weight 26.9kg
Frequency response 35Hz – 23kHz
Evoke 10 (Surrounds)
Dimensions (hwd) 31.5 x 18 x 27.7cm
Weight 6.7kg
Frequency response 47Hz – 23kHz
Evoke 25C (Centre)
Dimensions (hwd) 18 x 60 x 27cm
Weight 11.8kg
Frequency response 50Hz–23kHz
Sub 6 (Subwoofer)
Dimensions (hwd) 33.3 x 47 x 26.8cm
Weight 21.5kg
Frequency response 16Hz – 230Hz
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